Leo Tover American cinematographer
Leo Tover is a 64 years old American cinematographer from New Haven, Connecticut. Leo Tover was born on December 06, 1900 (died on December 30, 1964, he was 64 years old) in New Haven, Connecticut.
About
Biography
Leo Tover A. S. C. was an American cinematographer twice nominated for Academy Awards for his work on The Heiress and Hold Back the Dawn. Among his other credits are the original silent version of The Great Gatsby The Day the Earth Stood Still and Payment on Demand both released in 1951. He was born in New Haven Connecticut and died in Los Angeles California.
Read full biography
No, he died on 12/30/1964, 58 years ago. He was 64 years old when he died. Cause of death: disease. He died in Los Angeles and buried in Forest Lawn Memorial Park .
Works
Leo Tover Movies (99)
There are 99 movies of Leo Tover.
His first feature film was Journey to the Center of the Earth (1959). He was 59 when he starred in this movie. Since 1959, he has appeared in 99 feature films. The last one is The Home Owner (1961). .
View all Leo Tover movies.
Leo Tover movie characters
The names of the characters/jobs in the films he starred in are as follows:
| Character/Job | Movie | Age |
|---|---|---|
| Director of Photography | Journey to the Center of the Earth (1959) | 59 |
| Director of Photography | The Day the Earth Stood Still (1951) | 50 |
| Director of Photography | The Heiress (1949) | 48 |
| Director of Photography | Love Me Tender (1956) | 55 |
| Director of Photography | The Major and the Minor (1942) | 41 |
| Director of Photography | Follow That Dream (1962) | 61 |
| Director of Photography | Bluebeard's Eighth Wife (1938) | 37 |
| Director of Photography | Hold Back the Dawn (1941) | 40 |
| Director of Photography | The Conqueror (1956) | 55 |
| Director of Photography | I Walk Alone (1947) | 47 |
| Director of Photography | Thirteen Women (1932) | 31 |
| Director of Photography | We're Not Married! (1952) | 51 |
| Director of Photography | A Blueprint for Murder (1953) | 52 |
| Director of Photography | The Revolt of Mamie Stover (1956) | 55 |
| Director of Photography | Man in the Attic (1953) | 53 |
| Director of Photography | The Snake Pit (1948) | 47 |
| Director of Photography | The Sun Also Rises (1957) | 56 |
| Director of Photography | The Secret of Convict Lake (1951) | 50 |
| Director of Photography | The Woman on the Beach (1947) | 46 |
| Director of Photography | From the Terrace (1960) | 59 |
| Director of Photography | My Friend Irma (1949) | 48 |
| Director of Photography | Payment on Demand (1951) | 50 |
| Director of Photography | Between Heaven and Hell (1956) | 55 |
| Director of Photography | A Very Special Favor (1965) | 64 |
| Director of Photography | I'm No Angel (1933) | 32 |
| Director of Photography | The Lady Refuses (1931) | 30 |
| Director of Photography | Misty (1961) | 60 |
| Director of Photography | Sunday in New York (1963) | 62 |
| Director of Photography | Untamed (1955) | 54 |
| Director of Photography | Sealed Verdict (1948) | 47 |
| Director of Photography | I Met Him in Paris (1937) | 36 |
| Director of Photography | The Crystal Ball (1943) | 42 |
| Director of Photography | The Runaway Bride (1930) | 29 |
| Director of Photography | Murder at the Vanities (1934) | 33 |
| Director of Photography | Star Spangled Rhythm (1942) | 41 |
| Director of Photography | No Man of Her Own (1932) | 32 |
| Director of Photography | The Lost Squadron (1932) | 31 |
| Cinematography | The Night of Nights (1939) | 38 |
| Director of Photography | Strange Bedfellows (1965) | 64 |
| Director of Photography | Blue Denim (1959) | 58 |
| Director of Photography | Girl of the Rio (1932) | 31 |
| Director of Photography | Symphony of Six Million (1932) | 31 |
| Director of Photography | College Humor (1933) | 32 |
| Director of Photography | The Big Broadcast of 1936 (1935) | 34 |
| Director of Photography | Victory (1940) | 40 |
| Director of Photography | Paid in Full (1950) | 49 |
| Director of Photography | The President's Lady (1953) | 52 |
| Director of Photography | All Hands on Deck (1961) | 60 |
| Director of Photography | China (1943) | 42 |
| Director of Photography | Tanned Legs (1929) | 28 |
| Director of Photography | The Secret Fury (1950) | 49 |
| Director of Photography | Follow the Sun (1951) | 50 |
| Director of Photography | Island of the Blue Dolphins (1964) | 63 |
| Director of Photography | Never Say Die (1939) | 38 |
| Director of Photography | Bolero (1934) | 33 |
| Director of Photography | Valiant Is the Word for Carrie (1936) | 35 |
| Director of Photography | Maid of Salem (1937) | 36 |
| Director of Photography | The Silver Horde (1930) | 29 |
| Director of Photography | Say One for Me (1959) | 58 |
| Director of Photography | The Farmer's Daughter (1940) | 39 |
| Director of Photography | A Nice Little Bank That Should Be Robbed (1958) | 57 |
| Director of Photography | College Rhythm (1934) | 33 |
| Director of Photography | Are These Our Children (1931) | 30 |
| Director of Photography | Young and Willing (1943) | 42 |
| Director of Photography | The Royal Bed (1931) | 30 |
| Director of Photography | You Belong to Me (1934) | 33 |
| Director of Photography | The Fall Guy (1930) | 29 |
| Director of Photography | Invitation to Happiness (1939) | 38 |
| Director of Photography | Traveling Husbands (1931) | 30 |
| Director of Photography | The Bride Comes Home (1935) | 35 |
| Director of Photography | The Great Jasper (1933) | 32 |
| Director of Photography | Bachelor Apartment (1931) | 30 |
| Director of Photography | The Arizona Raiders (1936) | 35 |
| Director of Photography | Is My Face Red? (1932) | 31 |
| Director of Photography | The Gay Diplomat (1931) | 30 |
| Director of Photography | Girl without a Room (1933) | 33 |
| Director of Photography | Night Club Scandal (1937) | 36 |
| Director of Photography | The Monkey's Paw (1933) | 32 |
| Director of Photography | Bahama Passage (1941) | 41 |
| Director of Photography | Florida Special (1936) | 35 |
| Director of Photography | The Lieutenant Wore Skirts (1956) | 55 |
| Director of Photography | The Telephone Girl (1927) | 26 |
| Theatre Play | The Flag Lieutenant (1927) | 26 |
| Director of Photography | Girl of the Port (1930) | 29 |
| Director of Photography | Transgression (1931) | 30 |
| Director of Photography | State's Attorney (1932) | 31 |
| Theatre Play | The Flag Lieutenant (1932) | 31 |
| Director of Photography | Shoot the Works (1934) | 33 |
| Director of Photography | Love in Bloom (1935) | 34 |
| Director of Photography | Rose of the Rancho (1936) | 35 |
| Director of Photography | Ebb Tide (1937) | 36 |
| Director of Photography | Cocoanut Grove (1938) | 37 |
| Director of Photography | The Arkansas Traveler (1938) | 37 |
| Director of Photography | King of Chinatown (1939) | 38 |
| Director of Photography | Life with Henry (1941) | 40 |
| Director of Photography | My Wife's Best Friend (1952) | 51 |
| Director of Photography | My Pal Gus (1952) | 51 |
| Director of Photography | The Marriage-Go-Round (1961) | 60 |
| Director of Photography | The Home Owner (1961) | 60 |
Awards (1)
Nominated Academy Award for Best Cinematography, Black-and-White .
What was Leo's zodiac sign?Leo Tover zodiac sign was sagittarius.
Other facts about Leo Tover
| Date of death | 1964-12-30T00:00:00Z |
|---|---|
| Given name | Leo |
| Cause of death | Disease |
| Country of citizenship | United States Of America |
| Place of burial | Forest Lawn Memorial Park |
| Family name | Tover. Show people with the surname Tover |
| Place of death | Los Angeles |
| Europeana entity | Agent/base/1408 |
