Karl Freund Cameraman
Karl Freund is a 79 years old cameraman from Austria-Hungary from Bohemia. Karl Freund was born on January 16, 1890 (died on May 03, 1969, he was 79 years old) in Bohemia.
About
Biography
From Wikipedia, the free encyclopedia.
Karl W. Freund, A. S. C. was a cinematographer and film director. Born in Dvůr Králové, Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem, The Last Laugh and Metropolis. Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula and Key Largo. He won a...
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No, he died on 05/03/1969, 54 years ago. He was 79 years old when he died. He died in Santa Monica and buried in Mount Sinai Memorial Park Cemetery .
Works
Karl Freund Movies (93)
There are 93 movies of Karl Freund.
His first feature film was Metropolis (2010). He was 120 when he starred in this movie. Since 2010, he has appeared in 93 feature films. The last one is The Decision of Christopher Blake (1948). .
View all Karl Freund movies.
Karl Freund movie characters
The names of the characters/jobs in the films he starred in are as follows:
| Character/Job | Movie | Age |
|---|---|---|
| Director of Photography | Metropolis (1927) | 120 |
| Camera Operator | Metropolis (1927) | 120 |
| Director | The Mummy (1932) | 42 |
| Director of Photography | All Quiet on the Western Front (1930) | 40 |
| Director of Photography | Dracula (1931) | 41 |
| Director of Photography | The Golem: How He Came into the World (1920) | 31 |
| Director of Photography | Key Largo (1948) | 58 |
| Director of Photography | The Last Laugh (1924) | 34 |
| Director of Photography | Camille (1936) | 46 |
| Director of Photography | The Great Ziegfeld (1936) | 46 |
| Director | Mad Love (1935) | 45 |
| Director of Photography | Murders in the Rue Morgue (1932) | 42 |
| Director of Photography | Du Barry Was a Lady (1943) | 53 |
| Director of Photography | The Good Earth (1937) | 47 |
| Director of Photography | A Guy Named Joe (1943) | 54 |
| Director of Photography | The Bad Sister (1931) | 41 |
| Director of Photography | Blossoms in the Dust (1941) | 51 |
| Director of Photography | Tartuffe (1925) | 35 |
| Director of Photography | We Who Are Young (1940) | 50 |
| Author | Berlin: Symphony of a Great City (1927) | 37 |
| Producer | Berlin: Symphony of a Great City (1927) | 37 |
| Director of Photography | Berlin: Symphony of a Great City (1927) | 37 |
| Director of Photography | Undercurrent (1946) | 56 |
| Cinematography | The Spiders - The Golden Lake (1919) | 29 |
| Director of Photography | The Spiders - The Diamond Ship (1920) | 30 |
| Director of Photography | Conquest (1937) | 47 |
| Director of Photography | Variety (1925) | 36 |
| Director of Photography | Golden Boy (1939) | 49 |
| Director of Photography | The Burning Soil (1922) | 32 |
| Director of Photography | Bright Leaf (1950) | 60 |
| Director of Photography | Three Comrades (1938) | 48 |
| Director of Photography | Tortilla Flat (1942) | 52 |
| Director of Photography | Tail Spin (1939) | 49 |
| Director of Photography | The Suffragette (1913) | 23 |
| Director of Photography | Cry 'Havoc' (1943) | 53 |
| Director of Photography | Green Hell (1940) | 50 |
| Director of Photography | Michael (1924) | 34 |
| LeBlanc - Art Dealer | Michael (1924) | 34 |
| Director of Photography | The Earl of Chicago (1940) | 49 |
| Director of Photography | Das wandernde Licht (1916) | 26 |
| Director of Photography | The Robber Bride (1916) | 26 |
| Director of Photography | Parnell (1937) | 47 |
| Director of Photography | Montana (1950) | 60 |
| Director of Photography | Balalaika (1939) | 49 |
| Director of Photography | Strictly Dishonorable (1931) | 41 |
| Director of Photography | The Finances of the Grand Duke (1924) | 33 |
| Director of Photography | Dangerous Partners (1945) | 55 |
| Director of Photography | Back Street (1932) | 42 |
| Director of Photography | Lucrezia Borgia (1922) | 38 |
| Director of Photography | Fräulein Else (1929) | 39 |
| Director of Photography | Letter of Introduction (1938) | 48 |
| Director of Photography | Rose of Washington Square (1939) | 49 |
| Director of Photography | Two Smart People (1946) | 56 |
| Director of Photography | A Letter for Evie (1946) | 56 |
| Director of Photography | Manon Lescaut (1926) | 36 |
| Director of Photography | The Kiss Before the Mirror (1933) | 43 |
| Director of Photography | A Venetian Night (1914) | 24 |
| Camera Operator | Comrade X (1940) | 50 |
| Director of Photography | Die Dame, der Teufel und die Probiermamsell (1918) | 28 |
| Director of Photography | The Head of Janus (1920) | 30 |
| Director of Photography | Der Liebesbrief der Königin (1917) | 27 |
| Director of Photography | The Man in the Mirror (1916) | 25 |
| Director of Photography | Frau Eva (1916) | 26 |
| Director of Photography | Sleeping Partners (1930) | 40 |
| Director of Photography | Florian (1940) | 50 |
| Director of Photography | Wallflower (1948) | 58 |
| Director of Photography | The Film Prima Donna (1913) | 23 |
| Director of Photography | Little Angel (1914) | 23 |
| Director of Photography | Zapata's Gang (1914) | 24 |
| Director of Photography | The Hound of the Baskervilles (1914) | 24 |
| Director of Photography | Bummelstudenten (1916) | 25 |
| Camera Operator | Little Angel's Wedding (1916) | 26 |
| Director of Photography | The Giant's Fist (1917) | 27 |
| Director of Photography | Countess Kitchenmaid (1918) | 28 |
| Director of Photography | Die blaue Laterne (1918) | 28 |
| Director of Photography | Emerald of Death (1919) | 29 |
| Director of Photography | Intoxication (1919) | 29 |
| Director of Photography | The Arc (1919) | 29 |
| Director of Photography | Die Arche. 2. Teil: Die letzten Menschen (1919) | 29 |
| Director of Photography | The Hunchback and the Dancer (1920) | 30 |
| Director of Photography | Panic in the House of Ardon (1920) | 30 |
| Director of Photography | Torgus (1921) | 31 |
| Producer | Madame Wants No Children (1926) | 36 |
| Director of Photography | A Knight in London (1928) | 38 |
| Director of Photography | Up for Murder (1931) | 41 |
| Director | Moonlight and Pretzels (1933) | 43 |
| Director | Madame Spy (1934) | 44 |
| Director | The Countess of Monte Cristo (1934) | 44 |
| Director | I Give My Love (1934) | 44 |
| Director | Gift of Gab (1934) | 44 |
| Director of Photography | Man-Proof (1938) | 47 |
| Director of Photography | Port of Seven Seas (1938) | 48 |
| Director of Photography | The Decision of Christopher Blake (1948) | 58 |
Karl Freund TV Shows (1)
His first TV Show was German Film Awards (1951).
Awards (3)
Nominated Academy Award for Best Cinematography, Black-and-White , nominated Academy Award for Best Cinematography, Color , awarded Academy Award for Best Cinematography ,
What was Karl's zodiac sign?Karl Freund zodiac sign was capricorn.
Other facts about Karl Freund
| Related category | Category:Films Directed By Karl Freund , of: film, directed by this person |
|---|---|
| Country of citizenship | Austria-Hungary |
| Place of burial | Mount Sinai Memorial Park Cemetery |
| Place of birth | Bohemia |
| Place of death | Santa Monica |
| Family name | Freund. Show people with the surname Freund |
| Languages spoken, written or signed | German |
| Date of death | 1969-05-03T00:00:00Z |
| Given name | Karl |
| Name in native language | Karl Freund |
| Work period (start) | 1906-01-01T00:00:00Z |
| Work period (end) | 1958-01-01T00:00:00Z |
| Europeana entity | Agent/base/159185 |
